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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2019
Frühjahrsauktionen 14.–16.06.2012
Ernst, Max
1891 Brühl b. Köln - 1976 Paris.
E «Va-t'en maudit - ours tu ressembles à Bordure», from the portfolio «Décervelages». Lithograph in colours on Japan paper. In the stone titled. Numbered XXII/XXXIII lower left and signed lower right in pencil. Passepartout. Provenance: South German private collection. Literature: Max Ernst - Druckgraphische Werke und Illustrierte Bücher, by Alfred M. Fischer and Gabriele Lohberg amongst others, Museum Ludwig, Köln 1990, p. 211 and p. 282, no. 121/7 (cf.). 
1891 Brühl b. Köln - 1976 Paris.
«Va-t'en maudit - ours tu ressembles à Bordure», aus der Mappe «Décervelages». Farblithographie/Japan. Abstrahierte Figuren in Rot. Im Stein u. Mitte bet. Mit Bleistift u.l. XXII/XXXIII num. und u.r. sign. H. 41, B. 30,6 cm (Darstellung). Passepartout.
Aus einer Mappe mit neun farbigen Lithographien zu Alfred Jarrys «Décervelages».
Provenienz: süddeutsche Privatsammlung.
Literatur: Max Ernst - Druckgraphische Werke und Illustrierte Bücher, u.a. von Alfred M. Fischer und Gabriele Lohberg, Museum Ludwig, Köln 1990, S. 211 und S. 282, Nr. 121/7 (vgl.).